My introduction to the American Italian Historical Association (AIHA) started with a conversation with John Paul Russo, professor and chair, Department of Classics, the University of Miami, in 2003. As a graduate student in the English Department, I embarked on a quest to finalize my dissertation topic. Russo recommended that I read Don DeLillo's Underworld (1997), which I did. The text changed my way of thinking about contemporary American literature. Over several months of talking with Russo and Robert Casillo, I settled on an interdisciplinary theme of waste in fiction, film, and poetry. My goal was to select notable Italian Americans’ texts and films to analyze within the lens of waste in twentieth-century cinema and literature. I opted to focus on DeLillo's mega-novel and Martin Scorsese's The Departed (2006). Unable to decide on an Italian American poet to complement DeLillo and Scorsese's works, I chose A....

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